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Wood carving (or woodcarving) is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculpture ornamentation of a wooden object. The phrase may also refer to the finished product, from individual to hand-worked mouldings composing part of a tracery.
The making of sculpture in wood has been extremely widely practised, but does not survive undamaged as well as the other main materials like Stone sculpture and bronze, as it is vulnerable to decay, insect damage, and fire. Therefore, it forms an important hidden element in the art history of many cultures.See for example Martin Robertson, A shorter history of Greek art, p. 9, Cambridge University Press, 1981, , Google books Outdoor wood sculptures do not last long in most parts of the world, so it is still unknown how the totem pole tradition developed. Many of the most important sculptures of China and Japan, in particular, are in wood, and so are the great majority of African sculpture and that of Oceania and other regions. Wood is light and can take very fine detail so it is highly suitable for masks and other sculpture intended to be worn or carried. It is also much easier to work on than stone and can be carved more thinly and precisely due to its fibrous strength.
Some of the finest extant examples of early European wood carving are from the Middle Ages in Germany, Russia, Italy, and France, where the typical themes of that era were Christian iconography. In England, many complete examples remain from the 16th and 17th century, where oak was the preferred medium.
The oldest wood carved sculpture, the Shigir Idol carved from larch, is around 12,000 years old.
Probably the two most common woods used for carving Woods suitable for carving. Woodcraft Guild, June 2012. Accessed 2016-11-18. in North America are basswood (aka tilia or lime) and tupelo; both are that are relatively easy to work with. Chestnut, butternut, oak, Walnut, mahogany and teak are also very good woods; while for fine work Italian walnut, sycamore maple, apple, pear, Buxus or plum, are usually chosen. Decoration that is to be painted and of not too delicate a nature is often carved in pine, which is relatively soft and inexpensive. Best types of wood to use for carving. Langevin Forest. (Accessed 2016-11-18.)
Once the sculptor has selected their wood, they begin a general shaping process using gouges of various sizes. The gouge is a curved blade that can remove large portions of wood smoothly. For harder woods, the sculptor may use gouges sharpened with stronger bevels, about 35 degrees, and a mallet similar to a stone carver's. The terms gouge and chisel are open to confusion. Correctly, a gouge is a tool with a curved cross-section and a chisel is a tool with a flat cross-section. However, professional carvers tend to refer to them all as 'chisels'. Smaller sculptures may require the woodcarver to use a knife, and larger pieces might require the use of a saw. No matter what wood is selected or tool used, the wood sculptor must always carve either across or with the grain of the wood, never against the grain.
Once the general shape is made, the carver may use a variety of tools for creating details. For example, a "veiner" or "fluter" can be used to make deep gouges into the surface, or a "v-tool" for making fine lines or decorative cuts. Once the finer details have been added, the woodcarver finishes the surface. The method chosen depends on the required quality of the surface finish. The texture left by shallow gouges gives 'life' to the carving's surface and many carvers prefer this 'tooled' finish. If a completely smooth surface is required general smoothing can be done with tools such as "rasps," which are flat-bladed tools with a surface of pointed teeth. "Rifflers" are similar to rasps, but smaller, usually double-ended, and of various shapes for working in folds or crevasses. The finer polishing is done with abrasive paper. Large grained paper with a rougher surface is used first, with the sculptor then using finer grained paper that can make the surface of the sculpture slick to the touch.
After the carving and finishing is completed, the artist may seal & colour the wood with a variety of natural oils, such as walnut or linseed oil which protects the wood from dirt and moisture. Oil also imparts a sheen to the wood which, by reflecting light, helps the observer 'read' the form. Carvers seldom use gloss varnish as it creates too shiny a surface, which reflects so much light it can confuse the form; carvers refer to this as 'the toffee apple effect'. Objects made of wood are frequently finished with a layer of wax, which protects the wood and gives a soft lustrous sheen. A wax finish (e.g., shoe polish) is comparatively fragile though and only suitable for indoor carvings.
File:Chevy Chase Sideboard.png|The Chevy Chase Sideboard by Gerrard Robinson. Often considered to be one of the finest carved furniture pieces of the 19th century and an icon of Victorian furniture.
File:Carved_tree_with_reliefs_of_dinosaur_and_other_animals.jpg|Carved tree with reliefs of dinosaur and other animals, Laos
File:Woodcarvings of cranes.jpg|Carved wooden cranes
File:Porta - Gran Mesquita de Kairuan.jpg|Finely carved wooden door in the Great Mosque of Kairouan, Tunisia
File:Woodcarvings.jpg|Carvings for sale on a beach
File:Noah's ark and animals 1943.8.7806.jpg|Noah's Ark with animals-Sunday toy- Index of American Design Federal Art Project
File:Silleria Coro alto de San Benito-Valladolid-DSC 2306.jpg|Old choir stalls. National Sculpture Museum in Valladolid
File:Sint-Pieters-en-Pauluskerk (Mechelen) preekstoel 2015 03.JPG|Pulpit in Church of St Peter and St Paul in Mechelen
File:Szekelykapuk1214.JPG|A Székely gate in front of the Székely National Museum, in Sfântu Gheorghe, Romania
File:Wooden female figure.jpg|Wooden Female Figure from the Hunt Museum collection.
File:Porte Hugues Sambin.jpg|Porte Hugues Sambin, door of the old Parliament of Burgundy and the current court of appeal of Dijon (Côte-d'Or, France)
Sculpture
A wood carver begins a new carving by selecting a chunk of wood the approximate size and shape of the figure they wish to create or if the carving is to be large, several pieces of wood may be together to create the required size. The type of wood is important. are more difficult to shape but have greater luster and longevity. Softer woods may be easier to carve but are more prone to damage. Any wood can be carved but they all have different qualities and characteristics. The choice will depend on the requirements of carving being done: for example, a detailed figure would need a wood with a fine grain and very little figure as a strong figure can interfere with 'reading' fine detail.
Gallery
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